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The acclaimed Angenieux look in a versatile 10x zoom. The new 25-250mm has a larger image circle to cover new S35+ formats, and doesn't suffer from the breathing and distortion often found in more compact zooms.
Atlas Orion anamorphic lenses offer you the classic sense of depth, ovoid bokeh, breathing and flare characteristics associated with front anamorphic group lenses - at a less intimidating price point. 40mm, 65mm and 100mm PL mount.
Extend the focal length of your Canon telephoto lenses by 40% with the Canon 1.4x EF II teleconverter while losing only one stop in lens speed.
The CN-E cinema primes from Canon cover 35mm full frame sensors and are designed for 4K+ acquisition. Choose three lenses from the set of 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3 and 135mm T2.2.
The CN-E cinema primes from Canon cover 35mm full frame sensors and are designed for 4K+ acquisition. Choose five lenses from the complete set of 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3 and 135mm T2.2.
For extreme wide angle shooting on both full frame and crop sensor cameras. On full frame cameras, this lens produces both circular and full frame images. On crop sensor cameras, you get only full frame images.
The EF-S 10-22mm f/3.5-4.5 USM is the widest non-fisheye zoom Canon makes for crop sensor cameras. The field of view is equivalent to Canon's 16-35mm, designed for full frame cameras.
The Canon EF 14mm f/2.8L II USM is the widest angle, non-fisheye lens available from Canon with a very impressive 114° diagonal field of view.
If you need a curvilinear lens with a 180º angle of view, the Canon EF 15mm f/2.8 Fisheye is your lens.
The EF 16-35mm f/2.8L III USM lens is widely considered to be the best ultra-wide angle zoom lens Canon has ever made. The mark III version significantly improves corner to corner sharpness over the previous version.
Go ultra-wide with Canon's 16-35mm f/2.8L II USM. Improved edge to edge sharpness over the previous model and the build quality you expect from L series lenses.
The TS-E 17mm f/4L is the widest tilt-shift lens available from Canon, offering a diagonal angle of view of 104° on a full-frame SLR camera.
PL or EF mount. Weighing just 2.2kg, the Canon CN-E 15.5-47mm compact zoom is a versatile wide-angle cine zoom. With enough resolution for 4K+ cameras, it's suitable for use on a variety of digital motion cameras.
The Canon EF 24mm f/1.4L II USM is a very fast wide angle lens and is perfect for low light conditions. The large aperture encourages creative use of depth of field in wide angle shots.
Canon's TS-E 24mm f/3.5L II is a popular choice for traditional applications requiring perspective correction - such as architectural photography - and for creating those fashionable miniature scenes.
PL or EF mount. Weighing just 2.2kg, the Canon CN-E 30-105mm compact zoom is a flexible workhorse. Designed to provide enough resolution for 4K cameras, it's suitable for use on a variety of digital motion cameras.
Canon has redesigned its popular workhorse zoom to produce the 24-70mm mark II. The result is improved corner to corner sharpness, reduced colour fringing and a 9 blade aperture for better looking background detail.
The Canon 24-105mm f/4L IS USM provides a flexible zoom range and is often considered a lighter weight alternative to the EF 24-70mm f/2.8L in situations where the slower aperture doesn't matter.
The Canon EF 35mm f/1.4 L USM is another of Canon's heralded available light lenses. A fantastic standard lens for cropped view cameras, and a superior fast wide angle lens for full frame Canon cameras.
The Canon 50mm f/1.2L is a very impressive super-fast, standard perspective lens on full frame cameras and an ideal portrait lens on APS-C sensor format cameras.
The mark II version of Canon's renowned, highly flexible workhorse 70-200mm f/2.8 IS USM. This mark II version offers improved optics, reliability and robustness.
Canon's latest professional portrait lens. The 85mm f/1.4L offers superb optical performance and has image stabilisation to make it more versatile in situations where a tripod or other camera support cannot be used. Autofocus speed is much faster than with the 85mm f/1.2L II.
With the largest aperture available from Canon, the EF 85mm f/1.2L II USM is the superior lens for portraiture and low-light photography. This second generation model features improved autofocus speed and flash metering compatibility.
The 90mm TS-E f/2.8 is the most telephoto tilt and shift lens in Canon's range and offers you a wide variety of creative possibilities through depth of field manipulation.
The Canon EF 100mm f/2.8L Macro IS USM lens is optically the best macro lens made by Canon. Whether you're shooting stills or video, this lens is a great choice for close working distances and life size reproduction.
Canon's 100-400mm variable maximum aperture zoom is a flexible performer and offers that extra reach without the bulk and expense of the long, fast primes.
A very high quality prime lens, the Canon EF 135mm f/2L USM is well suited to portaiture, candid street photography, and sports where you can get closer to the action.
PL or EF mount. Get Canon's two lightweight cinema zooms together at a lower cost. Combined, these two lenses cover 15.5mm to 105mm.
This three lens Canon prime kit consists of the popular Canon 35mm f/1.4, 50mm f/1.2 and 85mm f/1.2 L series lenses. Save 10% on the cost of hiring them individually with this kit.
This four lens Canon prime kit consists of the popular Canon 24mm f/1.4, 35mm f/1.4, 50mm f/1.2 and 85mm f/1.2 L series lenses. Save 10% on the cost of hiring them individually with this kit.
This five lens Canon prime kit consists of the popular Canon 14mm f/2.8, 24mm f/1.4, 35mm f/1.4, 50mm f/1.2 and 85mm f/1.2 L series lenses. Save 15% on the cost of hiring them individually with this kit.
The Canon RF 24-105mm is a versatile zoom lens for the EOS R mirrorless cameras. The 5 stop image stabilisation helps keep your images sharp when using slower shutter speeds.
Cooke miniS4/i lenses give you the Cooke look in a smaller, lighter and more affordable package. This is a three lens set consisting of your choice of three focal lengths from 18mm, 25mm, 32mm, 50mm, 75mm and 100mm.
Cooke miniS4/i lenses give you the Cooke look in a smaller, lighter and more affordable package. This is a six lens set consisting of 18mm, 25mm, 32mm, 50mm, 75mm and 100mm lenses.
18mm T2.2, 25mm T2.2, 32mm T2.3, 40mm T2.3, 50mm T2.3 and 75mm T2.3. The TLS rehousing of the vintage Cooke Speed Panchro lenses is widely considered the best available. The mechanics of this set look and feel very much like the modern Cooke S4 lenses.
One of the most versatile zooms around - for use either as an ENG style lens or a traditional PL zoom, with a fully detachable servo unit. An impressive 31.5mm image circle covers a wide range of extended super 35mm formats.
A versatile, compact telephoto zoom for use either as an ENG style lens or as a traditional PL zoom, with a fully detachable servo unit. An impressive 31.5mm image circle covers a wide range of extended super 35mm formats.
A very fast, wide angle lens for the Fuji X system. The XF 16mm F1.4R WR has a close focus of just 15cm, making it ideal for working with subjects at short distances from the lens. A very fast autofocus time (as low as 0.11 seconds) means you'll miss fewer shots.
A premium wide angle lens for the Fuji X system with a very fast maximum aperture of f/1.4.
Leica Summicron-C lenses offer T2 performance in a very compact size. They cover many modern formats larger than super 35mm and have minimal breathing and superior build quality.
One of the most coveted lenses in the world, the Leica Summilux-M 35mm f/1.4 ASPH offers superior optics in a compact lens.
An extreme wide angle zoom lens for Canon mount crop sensor cameras, the Sigma 8-16mm zoom lens is ideal for cameras like the Blackmagic Design Cinema Camera, where you need to overcome the crop factor of the sensor.
The FE 16-35mm f/2.8 GM is the top of the line, full frame wide angle zoom lens from Sony. It offers excellent corner to corner sharpness, negligible chromatic aberration and the nano lens coating minimises flare and ghosting.
This is the professional grade standard zoom from Sony for E mount cameras. It has corner to corner sharpness at least as good as offerings from Canon and Nikon, and excellent flare control to preserve colour and contrast when shooting around bright light sources.
A strong contender for the best 24m f/1.4 stills lens in existence, the Sony FE 24mm f/1.4 GM is sharp throughout its aperture range, has minimal distortion, great looking bokeh, and weighs less than comparable lenses from other manufacturers.
The FE 70-200mm f/2.8 GM OSS is the top of the range lens in its category for Sony cameras. It's consistently sharp across the frame, focuses close for a lens of this zoom range (0.96m), has very fast and quiet autofocus, and the stabilisation is effective at keeping images sharp when using slower shutter speeds.
The CP.3s are the latest generation in the Compact Prime range from Zeiss. Compared to the previous CP.2s, they are smaller, they have new coatings for better flare control and they offer richer blacks, higher contrast images and more saturated colours. Available in PL or EF mount.
Three lens Zeiss CP.2 lens set consisting of your choice of three lenses from the following focal lengths - 21mm T2.9, 28mm T2.1, 35mm T2.1, 50mm T2.1 and 85mm T2.1. Available in either PL or Canon EF mount.
Five lens Zeiss CP.2 lens set, consisting of 21mm T2.9, 28mm T2.1, 35mm T2.1, 50mm T2.1 and 85mm T2.1 lenses. Available in either PL or Canon EF mount.
Arri/Zeiss MK2 Standard Speed lenses have been used on many feature films, TVCs and other productions for four decades. Choose three from 16mm, 24mm, 32mm, 50mm, 85mm and 100mm - all T2.1.
Arri/Zeiss MK2 Standard Speed lenses have been the lenses of choice on many feature films, TVCs and other productions for four decades. 16mm, 24mm, 32mm, 50mm, 85mm and 100mm - all T2.1.
The Zeiss Distagon T* 21mm f/2.8 ZF.2 is one of the finest wide angle lenses available for Nikon (and Canon, with an adapter) 35mm cameras, with exceptional image and build quality.
The Zeiss Planar 50mm f/1.4 ZF.2 offers superb colour rendition and image quality. It has a large rotation focus ring for more precise manual focusing, making it well suited for both still and cine use.