Stills Lenses

The Canon EF 100mm f/2.8L Macro IS USM lens is optically the best macro lens made by Canon. Whether you're shooting stills or video, this lens is a great choice for close working distances and life size reproduction.

A very high quality prime lens, the Canon EF 135mm f/2L USM is well suited to portaiture, candid street photography, and sports where you can get closer to the action.

Go ultra-wide with Canon's 16-35mm f/2.8L II USM. Improved edge to edge sharpness over the previous model and the build quality you expect from L series lenses.

The EF 16-35mm f/2.8L III USM lens is widely considered to be the best ultra-wide angle zoom lens Canon has ever made. The mark III version significantly improves corner to corner sharpness over the previous version.

The Canon 24-105mm f/4L IS USM provides a flexible zoom range and is often considered a lighter weight alternative to the EF 24-70mm f/2.8L in situations where the slower aperture doesn't matter.

Canon has redesigned its popular workhorse zoom to produce the 24-70mm mark II. The result is improved corner to corner sharpness, reduced colour fringing and a 9 blade aperture for better looking background detail.

The Canon EF 24mm f/1.4L II USM is a very fast wide angle lens and is perfect for low light conditions. The large aperture encourages creative use of depth of field in wide angle shots.

The Canon EF 35mm f/1.4 L USM is another of Canon's heralded available light lenses. A fantastic standard lens for cropped view cameras, and a superior fast wide angle lens for full frame Canon cameras.

The Canon 50mm f/1.2L is a very impressive super-fast, standard perspective lens on full frame cameras and an ideal portrait lens on Super 35mm / APS-C format cameras. Its large maximum aperture makes it popular for both stills and motion use.

The mark II version of Canon's renowned, highly flexible workhorse 70-200mm f/2.8 IS USM. This mark II version offers improved optics, reliability and robustness.

For extreme wide angle shooting on both full frame and crop sensor cameras. On full frame cameras, this lens produces both circular and full frame images. On crop sensor cameras, you get only full frame images.

With the largest aperture available from Canon, the EF 85mm f/1.2L II USM is the superior lens for portraiture and low-light photography. This second generation model features improved autofocus speed and flash metering compatibility.

Canon's 85mm f/1.4L offers superb optical performance and has image stabilisation to make it more versatile in situations where a tripod or other camera support cannot be used.

A 100mm macro lens that has a 1.4x magnification, perfect for product photos and capturing fine detail.

Part of the RF lens holy trinity lineup, the Canon RF 15-35mm f/2.8L is a fast wide-angle zoom offering excellent corner to corner sharpness and smooth, quiet autofocus - making it ideal for both still and motion photography.

The Canon RF 24-105mm is a versatile zoom lens for the EOS R mirrorless cameras. The 5 stop image stabilisation helps keep your images sharp when using slower shutter speeds.

The Canon RF 24-70 is one of the most versatile focal lengths and the inbuilt image stabilisation takes this lens to the next level.

The Canon RF 28-70mm f/2 is one of the most versatile lenses available today due to its excellent zoom range and large aperture (for a zoom lens). With this lens you don’t have to choose between the fast speed of a prime lens or the versatility of a zoom lens - you can have both.

The Canon RF 50mm f/1.2 is an optical marvel that is beautifully sharp right out to the edges and has extremely precise autofocus when used with RF mount cameras.

The 70-200 is a staple in the photography and video industry and Canon has always been at the top of the game. The RF 70-200 f/2.8L pushes new boundaries in the mirrorless era as it is the smallest, lightest and closest focusing 70-200 f/2.8 lens from any manufacturer.

The Canon RF 85mm f/1.2 is the gold standard for ultra speed 85mm lenses. Perfect for any work that requires a beautiful depth of field with minimal lens distortion, this lens is the best in its class.

The TS-E 17mm f/4L is the widest tilt-shift lens available from Canon, offering a diagonal angle of view of 104° on a full-frame SLR camera.

Canon's TS-E 24mm f/3.5L II is a popular choice for traditional applications requiring perspective correction - such as architectural photography - and for creating those fashionable miniature scenes.

The 90mm TS-E f/2.8 is the most telephoto tilt and shift lens in Canon's range and offers you a wide variety of creative possibilities through depth of field manipulation.

The Sony 100mm f/2.8 lens is just as sharp as all the other 100mm lenses in its class but it has a trick up its sleeve in the form of Smoooth Trans Focus (STF), which gives a more subtle and soft bokeh. This lens is purposely designed for portrait work with a shallow depth of field.

The FE 16-35mm f/2.8 GM is the top of the line, full frame wide angle zoom lens from Sony. It offers excellent corner to corner sharpness, negligible chromatic aberration and the nano lens coating minimises flare and ghosting.

This is the professional grade standard zoom from Sony for E mount cameras. It has corner to corner sharpness at least as good as offerings from Canon and Nikon, and excellent flare control to preserve colour and contrast when shooting around bright light sources.

A strong contender for the best 24m f/1.4 stills lens currently in existence, the Sony FE 24mm f/1.4 GM is sharp throughout its aperture range, has minimal distortion, great looking bokeh, and weighs less than comparable lenses from other manufacturers.

Sony was late to the game with their first foray into the world of ultra-fast lenses but the Sony 50mm f/1.2 has knocked it out of the park and is quite a technical achievement due to its size compared to its competitors.

The FE 70-200mm f/2.8 GM OSS is the top of the range lens in its category for Sony cameras. It's consistently sharp across the frame, focuses close for a lens of this zoom range (0.96m), has very fast and quiet autofocus, and the stabilisation is effective at keeping images sharp at slower shutters.

The Sony FE 70-200mm f/2.8 GM II has some modest improvements in the optical quality over its MK1 equivalent, but where it truly shines is in its weight, weighing in at only 1042 grams.

The Sony 85mm f/1.4 is a great portrait lens that pairs nicely with a Sony mirrorless camera. It has pleasing bokeh wide open and, having a maximum aperture of f/1.4, it is really useful in low light settings.