Prime Stills Lenses

The Canon EF 100mm f/2.8L Macro IS USM lens is optically the best macro lens made by Canon. Whether you're shooting stills or video, this lens is a great choice for close working distances and life size reproduction.

A very high quality prime lens, the Canon EF 135mm f/2L USM is well suited to portaiture, candid street photography, and sports where you can get closer to the action.

The Canon EF 24mm f/1.4L II USM is a very fast wide angle lens and is perfect for low light conditions. The large aperture encourages creative use of depth of field in wide angle shots.

The Canon EF 35mm f/1.4 L USM is another of Canon's heralded available light lenses. A fantastic standard lens for cropped view cameras, and a superior fast wide angle lens for full frame Canon cameras.

The Canon 50mm f/1.2L is a very impressive super-fast, standard perspective lens on full frame cameras and an ideal portrait lens on Super 35mm / APS-C format cameras. Its large maximum aperture makes it popular for both stills and motion use.

With the largest aperture available from Canon, the EF 85mm f/1.2L II USM is the superior lens for portraiture and low-light photography. This second generation model features improved autofocus speed and flash metering compatibility.

Canon's 85mm f/1.4L offers superb optical performance and has image stabilisation to make it more versatile in situations where a tripod or other camera support cannot be used.

A 100mm macro lens that has a 1.4x magnification, perfect for product photos and capturing fine detail.

The Canon RF 50mm f/1.2 is an optical marvel that is beautifully sharp right out to the edges and has extremely precise autofocus when used with RF mount cameras.

The Canon RF 85mm f/1.2 is the gold standard for ultra speed 85mm lenses. Perfect for any work that requires a beautiful depth of field with minimal lens distortion, this lens is the best in its class.

The TS-E 17mm f/4L is the widest tilt-shift lens available from Canon, offering a diagonal angle of view of 104° on a full-frame SLR camera.

Canon's TS-E 24mm f/3.5L II is a popular choice for traditional applications requiring perspective correction - such as architectural photography - and for creating those fashionable miniature scenes.

The 90mm TS-E f/2.8 is the most telephoto tilt and shift lens in Canon's range and offers you a wide variety of creative possibilities through depth of field manipulation.

The Sony 100mm f/2.8 lens is just as sharp as all the other 100mm lenses in its class but it has a trick up its sleeve in the form of Smoooth Trans Focus (STF), which gives a more subtle and soft bokeh. This lens is purposely designed for portrait work with a shallow depth of field.

Sony was late to the game with their first foray into the world of ultra-fast lenses but the Sony 50mm f/1.2 has knocked it out of the park and is quite a technical achievement due to its size compared to its competitors.

The Sony 85mm f/1.4 is a great portrait lens that pairs nicely with a Sony mirrorless camera. It has pleasing bokeh wide open and, having a maximum aperture of f/1.4, it is really useful in low light settings.