Prime Stills Lenses

Prime lenses designed for stills use in Canon RF, Canon EF and Sony E mounts.

Canon EF 100mm f/2.8L Macro IS

Canon EF 100mm f/2.8L Macro IS

The Canon EF 100mm f/2.8L Macro IS USM lens is optically the best macro lens made by Canon. Whether you're shooting stills or video, this lens is a great choice for close working distances and life size reproduction.

Canon EF 135mm f/2L USM

Canon EF 135mm f/2L USM

A very high quality prime lens, the Canon EF 135mm f/2L USM is well suited to portaiture, candid street photography, and sports where you can get closer to the action.

Canon EF 24mm f/1.4L II USM

Canon EF 24mm f/1.4L II USM

The Canon EF 24mm f/1.4L II USM is a very fast wide angle lens and is perfect for low light conditions. The large aperture encourages creative use of depth of field in wide angle shots.

Canon EF 35mm f/1.4 L USM

Canon EF 35mm f/1.4 L USM

The Canon EF 35mm f/1.4 L USM is another of Canon's heralded available light lenses. A fantastic standard lens for cropped view cameras, and a superior fast wide angle lens for full frame Canon cameras.

Canon EF 50mm f/1.2L USM

Canon EF 50mm f/1.2L USM

The Canon 50mm f/1.2L is a very impressive super-fast, standard perspective lens on full frame cameras and an ideal portrait lens on Super 35mm / APS-C format cameras. Its large maximum aperture makes it popular for both stills and motion use.

Canon EF 85mm f/1.2L II USM

Canon EF 85mm f/1.2L II USM

With the largest aperture available from Canon, the EF 85mm f/1.2L II USM is the superior lens for portraiture and low-light photography. This second generation model features improved autofocus speed and flash metering compatibility.

Canon EF 85mm f/1.4L IS USM

Canon EF 85mm f/1.4L IS USM

Canon's 85mm f/1.4L offers superb optical performance and has image stabilisation to make it more versatile in situations where a tripod or other camera support cannot be used.

Canon RF 100mm f/2.8L Macro IS USM

Canon RF 100mm f/2.8L Macro IS USM

A 100mm macro lens that has a 1.4x magnification, perfect for product photos and capturing fine detail.

Canon RF 50mm f/1.2L USM

Canon RF 50mm f/1.2L USM

The Canon RF 50mm f/1.2 is an optical marvel that is beautifully sharp right out to the edges and has extremely precise autofocus when used with RF mount cameras.

Canon RF 85mm f/1.2L USM

Canon RF 85mm f/1.2L USM

The Canon RF 85mm f/1.2 is the gold standard for ultra speed 85mm lenses. Perfect for any work that requires a beautiful depth of field with minimal lens distortion, this lens is the best in its class.

Canon TS-E 17mm f/4L Tilt Shift

Canon TS-E 17mm f/4L Tilt Shift

The TS-E 17mm f/4L is the widest tilt-shift lens available from Canon, offering a diagonal angle of view of 104° on a full-frame SLR camera.

Canon TS-E 24mm f/3.5 L II Tilt Shift

Canon TS-E 24mm f/3.5 L II Tilt Shift

Canon's TS-E 24mm f/3.5L II is a popular choice for traditional applications requiring perspective correction - such as architectural photography - and for creating those fashionable miniature scenes.

Canon TS-E 90mm f/2.8 Tilt Shift

Canon TS-E 90mm f/2.8 Tilt Shift

The 90mm TS-E f/2.8 is the most telephoto tilt and shift lens in Canon's range and offers you a wide variety of creative possibilities through depth of field manipulation.

Sony FE 100mm f/2.8 STF GM OSS

Sony FE 100mm f/2.8 STF GM OSS

The Sony 100mm f/2.8 lens is just as sharp as all the other 100mm lenses in its class but it has a trick up its sleeve in the form of Smoooth Trans Focus (STF), which gives a more subtle and soft bokeh. This lens is purposely designed for portrait work with a shallow depth of field.

Sony FE 50mm f/1.2 GM

Sony FE 50mm f/1.2 GM

Sony was late to the game with their first foray into the world of ultra-fast lenses but the Sony 50mm f/1.2 has knocked it out of the park and is quite a technical achievement due to its size compared to its competitors.

Sony FE 85mm f/1.4 GM

Sony FE 85mm f/1.4 GM

The Sony 85mm f/1.4 is a great portrait lens that pairs nicely with a Sony mirrorless camera. It has pleasing bokeh wide open and, having a maximum aperture of f/1.4, it is really useful in low light settings.

Frequently asked questions

How do I hire gear from Offshoot Rentals?

Add the gear you need to a quote, choose your hire dates, and we'll show you live availability. You'll need a free Offshoot account to generate and lock in a quote. For more information, see our help articles or contact us.

Is hired equipment insured?

You are responsible for the gear while it's in your care, so we recommend production or hirer's insurance for the replacement value of the kit. If you're unsure what cover you need for a particular package, get in touch and we'll talk it through before your shoot.

Do you offer weekend rates?

Yes. A weekend hire (collected Friday afternoon and returned Monday morning) is charged as a single day, so you get the weekend's shooting for one day's rate.

Can you deliver, or is it pickup only?

Pickup from our Preston facility is the default and is free. We can also arrange delivery and courier options — ask us for a delivery quote.