The Canon EF 100mm f/2.8L Macro IS USM lens is optically the best macro lens made by Canon. Whether you're shooting stills or video, this lens is a great choice for close working distances and life size reproduction.
A very high quality prime lens, the Canon EF 135mm f/2L USM is well suited to portaiture, candid street photography, and sports where you can get closer to the action.
The Canon EF 24mm f/1.4L II USM is a very fast wide angle lens and is perfect for low light conditions. The large aperture encourages creative use of depth of field in wide angle shots.
The Canon EF 35mm f/1.4 L USM is another of Canon's heralded available light lenses. A fantastic standard lens for cropped view cameras, and a superior fast wide angle lens for full frame Canon cameras.
The Canon 50mm f/1.2L is a very impressive super-fast, standard perspective lens on full frame cameras and an ideal portrait lens on Super 35mm / APS-C format cameras. Its large maximum aperture makes it popular for both stills and motion use.
With the largest aperture available from Canon, the EF 85mm f/1.2L II USM is the superior lens for portraiture and low-light photography. This second generation model features improved autofocus speed and flash metering compatibility.
Canon's 85mm f/1.4L offers superb optical performance and has image stabilisation to make it more versatile in situations where a tripod or other camera support cannot be used.
A 100mm macro lens that has a 1.4x magnification, perfect for product photos and capturing fine detail.
The Canon RF 50mm f/1.2 is an optical marvel that is beautifully sharp right out to the edges and has extremely precise autofocus when used with RF mount cameras.
The Canon RF 85mm f/1.2 is the gold standard for ultra speed 85mm lenses. Perfect for any work that requires a beautiful depth of field with minimal lens distortion, this lens is the best in its class.
The TS-E 17mm f/4L is the widest tilt-shift lens available from Canon, offering a diagonal angle of view of 104° on a full-frame SLR camera.
Canon's TS-E 24mm f/3.5L II is a popular choice for traditional applications requiring perspective correction - such as architectural photography - and for creating those fashionable miniature scenes.
The 90mm TS-E f/2.8 is the most telephoto tilt and shift lens in Canon's range and offers you a wide variety of creative possibilities through depth of field manipulation.
The Sony 100mm f/2.8 lens is just as sharp as all the other 100mm lenses in its class but it has a trick up its sleeve in the form of Smoooth Trans Focus (STF), which gives a more subtle and soft bokeh. This lens is purposely designed for portrait work with a shallow depth of field.
A strong contender for the best 24m f/1.4 stills lens currently in existence, the Sony FE 24mm f/1.4 GM is sharp throughout its aperture range, has minimal distortion, great looking bokeh, and weighs less than comparable lenses from other manufacturers.
Sony was late to the game with their first foray into the world of ultra-fast lenses but the Sony 50mm f/1.2 has knocked it out of the park and is quite a technical achievement due to its size compared to its competitors.
The Sony 85mm f/1.4 is a great portrait lens that pairs nicely with a Sony mirrorless camera. It has pleasing bokeh wide open and, having a maximum aperture of f/1.4, it is really useful in low light settings.