Lenses

We have lenses for stills and motion use in a range of mounts - ARRI LPL, ARRI PL, Canon RF, Canon EF and Sony E. You'll also find some mount adapters here, for example using PL mount lenses on Canon RF mount cameras.

Angenieux Optimo Style 25-250mm T3.5 Kit
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Angenieux Optimo Style 25-250mm T3.5 Kit

The acclaimed Angenieux look in a versatile 10x zoom. The new 25-250mm has a larger image circle to cover new S35+ formats, and doesn't suffer from the breathing and distortion often found in more compact zooms.

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Atlas 1.6x LF Extender

This 1.6x extender from Atlas is designed for use with the Atlas Orion 2X Anamoprhic lenses on large format cameras, such as the Arri Alexa Mini LF. This is not needed on cameras with a super 35mm sensor.

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Atlas Orion 2X Anamorphic Full Set (6)

32mm, 40mm, 50mm, 65mm, 80mm and 100mm PL mount. Atlas Orion anamorphic lenses offer you the classic sense of depth, ovoid bokeh, breathing and flare characteristics associated with front anamorphic group lenses - at a less intimidating price point.

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Atlas Orion 2X Anamorphic Series A Set (3)

40mm, 65mm and 100mm PL mount. Atlas Orion Anamorphic lenses offer you the classic sense of depth, ovoid bokeh, breathing and flare characteristics associated with front anamorphic group lenses - at a less intimidating price point.

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Atlas Orion 2X Anamorphic Series B Set (3)

32mm, 50mm and 80mm T2.0 2X anamorphic set. Atlas Orion anamorphic lenses offer you the classic sense of depth, ovoid bokeh, breathing and flare characteristics associated with front anamorphic group lenses - at a less intimidating price point.

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Canon 15.5-47mm T2.8 Compact Zoom Kit

Weighing just 2.2kg, the Canon CN-E 15.5-47mm compact zoom is a versatile wide-angle cine zoom. With enough resolution for 4K+ cameras, it's suitable for use on a variety of digital motion cameras. Available in ARRI PL or Canon EF mount.

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Canon 30-105mm T2.8 Compact Zoom Kit

Weighing just 2.2kg, the Canon CN-E 30-105mm compact zoom is a flexible workhorse. Designed to provide enough resolution for 4K cameras, it's suitable for use on a variety of digital motion cameras. Available in ARRI PL or Canon EF mount.

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Canon CN-E Set (6)

14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3 and 135mm T2.2 EF mount. The CN-E cinema primes from Canon have a 43mm image circle, covering 35mm full frame sensors. The lenses are designed for 4K+ acquisition and are ideal for use on a wide range of digital cameras.

Canon EF 100mm f/2.8L Macro IS

The Canon EF 100mm f/2.8L Macro IS USM lens is optically the best macro lens made by Canon. Whether you're shooting stills or video, this lens is a great choice for close working distances and life size reproduction.

Canon EF 135mm f/2L USM

A very high quality prime lens, the Canon EF 135mm f/2L USM is well suited to portaiture, candid street photography, and sports where you can get closer to the action.

Canon EF 16-35mm f/2.8L II USM

Go ultra-wide with Canon's 16-35mm f/2.8L II USM. Improved edge to edge sharpness over the previous model and the build quality you expect from L series lenses.

Canon EF 16-35mm f/2.8L III

The EF 16-35mm f/2.8L III USM lens is widely considered to be the best ultra-wide angle zoom lens Canon has ever made. The mark III version significantly improves corner to corner sharpness over the previous version.

Canon EF 24-105mm f/4L IS USM

The Canon 24-105mm f/4L IS USM provides a flexible zoom range and is often considered a lighter weight alternative to the EF 24-70mm f/2.8L in situations where the slower aperture doesn't matter.

Canon EF 24-70mm f/2.8L II USM

Canon has redesigned its popular workhorse zoom to produce the 24-70mm mark II. The result is improved corner to corner sharpness, reduced colour fringing and a 9 blade aperture for better looking background detail.

Canon EF 24mm f/1.4L II USM

The Canon EF 24mm f/1.4L II USM is a very fast wide angle lens and is perfect for low light conditions. The large aperture encourages creative use of depth of field in wide angle shots.

Canon EF 35mm f/1.4 L USM

The Canon EF 35mm f/1.4 L USM is another of Canon's heralded available light lenses. A fantastic standard lens for cropped view cameras, and a superior fast wide angle lens for full frame Canon cameras.

Canon EF 50mm f/1.2L USM

The Canon 50mm f/1.2L is a very impressive super-fast, standard perspective lens on full frame cameras and an ideal portrait lens on Super 35mm / APS-C format cameras. Its large maximum aperture makes it popular for both stills and motion use.

Canon EF 70-200mm f/2.8L IS II USM

The mark II version of Canon's renowned, highly flexible workhorse 70-200mm f/2.8 IS USM. This mark II version offers improved optics, reliability and robustness.

Canon EF 8-15mm f/4L Fisheye

For extreme wide angle shooting on both full frame and crop sensor cameras. On full frame cameras, this lens produces both circular and full frame images. On crop sensor cameras, you get only full frame images.

Canon EF 85mm f/1.2L II USM

With the largest aperture available from Canon, the EF 85mm f/1.2L II USM is the superior lens for portraiture and low-light photography. This second generation model features improved autofocus speed and flash metering compatibility.

Canon EF 85mm f/1.4L IS USM

Canon's 85mm f/1.4L offers superb optical performance and has image stabilisation to make it more versatile in situations where a tripod or other camera support cannot be used.

Canon RF 100mm f/2.8L Macro IS USM

A 100mm macro lens that has a 1.4x magnification, perfect for product photos and capturing fine detail.

Canon RF 15-35mm f/2.8L IS USM

Part of the RF lens holy trinity lineup, the Canon RF 15-35mm f/2.8L is a fast wide-angle zoom offering excellent corner to corner sharpness and smooth, quiet autofocus - making it ideal for both still and motion photography.

Canon RF 24-105mm f/4L IS USM

The Canon RF 24-105mm is a versatile zoom lens for the EOS R mirrorless cameras. The 5 stop image stabilisation helps keep your images sharp when using slower shutter speeds.

Canon RF 24-70mm f/2.8L IS USM

The Canon RF 24-70 is one of the most versatile focal lengths and the inbuilt image stabilisation takes this lens to the next level.

Canon RF 28-70mm f/2L USM

The Canon RF 28-70mm f/2 is one of the most versatile lenses available today due to its excellent zoom range and large aperture (for a zoom lens). With this lens you don’t have to choose between the fast speed of a prime lens or the versatility of a zoom lens - you can have both.

Canon RF 50mm f/1.2L USM

The Canon RF 50mm f/1.2 is an optical marvel that is beautifully sharp right out to the edges and has extremely precise autofocus when used with RF mount cameras.

Canon RF 70-200mm f/2.8L IS USM

The 70-200 is a staple in the photography and video industry and Canon has always been at the top of the game. The RF 70-200 f/2.8L pushes new boundaries in the mirrorless era as it is the smallest, lightest and closest focusing 70-200 f/2.8 lens from any manufacturer.

Canon RF 85mm f/1.2L USM

The Canon RF 85mm f/1.2 is the gold standard for ultra speed 85mm lenses. Perfect for any work that requires a beautiful depth of field with minimal lens distortion, this lens is the best in its class.

Canon TS-E 17mm f/4L Tilt Shift

The TS-E 17mm f/4L is the widest tilt-shift lens available from Canon, offering a diagonal angle of view of 104° on a full-frame SLR camera.

Canon TS-E 24mm f/3.5 L II Tilt Shift

Canon's TS-E 24mm f/3.5L II is a popular choice for traditional applications requiring perspective correction - such as architectural photography - and for creating those fashionable miniature scenes.

Canon TS-E 90mm f/2.8 Tilt Shift

The 90mm TS-E f/2.8 is the most telephoto tilt and shift lens in Canon's range and offers you a wide variety of creative possibilities through depth of field manipulation.

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Cooke Mini S4/i Set (6)

Cooke miniS4/i lenses give you the classic Cooke look in a smaller, lighter and more affordable package than the Cooke S4 T2 range. This is a six lens set consisting of 18mm, 25mm, 32mm, 50mm, 75mm and 100mm lenses.

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Cooke Speed Panchro Set (6)

18mm T2.2, 25mm T2.2, 32mm T2.3, 40mm T2.3, 50mm T2.3 and 75mm T2.3. The TLS rehousing of the vintage Cooke Speed Panchro lenses is widely considered the best available. The mechanics of this set look and feel very much like the modern Cooke S4 lenses, while the glass is original 1940s.

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Fujinon Cabrio 19-90mm T2.9 Zoom Kit

One of the most versatile zooms around - for use either as an ENG style lens or a traditional PL zoom, with a fully detachable servo unit. An impressive 31.5mm image circle covers a wide range of extended super 35mm formats.

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Fujinon Cabrio 85-300mm T2.9 Zoom Kit

A versatile, compact telephoto zoom for use either as an ENG style lens or as a traditional PL zoom, with a fully detachable servo unit. An impressive 31.5mm image circle covers a wide range of extended super 35mm formats.

Laowa 24mm 2X Macro Probe - PL

Probe lenses are typically used to get a perspective not often seen in still and motion photography. The long, narrow and waterproof lens barrel allows the lens to be moved inside and through a subject. An integrated LED array illuminates subject interiors that might otherwise be difficult to light.

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Leica / Leitz Summicron-C Set (6)

Leica / Leitz Summicron-C lenses offer T2 performance in a very compact size. They cover many modern formats larger than super 35mm and have minimal breathing and superior build quality.

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Leica R Set (6) (Cinemod EF)

The Leica-R cinemod lens set is a good option for full-frame vintage lenses, particularly if you are on a budget.

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Mamiya 645 Lens Set (7)

These TLS rehoused Mamiya Sekor C lenses offer you the look of renowned vintage Mamiya medium format stills lenses in high quality cine housings with ARRI LPL mounts.

Metabones PL to E Mount Adapter

Use PL lenses with Sony E mount cameras with this Metabones PL to E mount adapter.

Metabones PL to RF Mount Adapter

Use PL mount lenses on cameras with a Canon RF mount with this adapter, like the Canon R5, Canon EOS C70 or Red Komodo.

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Sigma FF High Speed Prime Set (10)

The Sigma FF High Speed range of lenses offer full frame coverage with a 43.3mm image circle and fast T stops of T1.5 across most of the range. The fronts are a consistent diameter of 95mm. This set consists of ten lenses - 14, 20, 24, 28, 35, 40, 50, 85, 105 and 135mm. Arri PL mount.

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Sigma FF High Speed Prime Set (6A)

The Sigma FF High Speed range of lenses offer full frame coverage with a 43.3mm image circle and fast T stops of T1.5 across most of the range (the 14mm is T2 in this set). The fronts are a consistent diameter of 95mm. This set consists of 14, 24, 35, 50, 85 and 105mm. ARRI PL mount.

Sony FE 100mm f/2.8 STF GM OSS

The Sony 100mm f/2.8 lens is just as sharp as all the other 100mm lenses in its class but it has a trick up its sleeve in the form of Smoooth Trans Focus (STF), which gives a more subtle and soft bokeh. This lens is purposely designed for portrait work with a shallow depth of field.

Sony FE 16-35mm F2.8 GM

The FE 16-35mm f/2.8 GM is the top of the line, full frame wide angle zoom lens from Sony. It offers excellent corner to corner sharpness, negligible chromatic aberration and the nano lens coating minimises flare and ghosting.

Sony FE 24-70mm f/2.8 GM

This is the professional grade standard zoom from Sony for E mount cameras. It has corner to corner sharpness at least as good as offerings from Canon and Nikon, and excellent flare control to preserve colour and contrast when shooting around bright light sources.

Sony FE 24mm f/1.4 GM

A strong contender for the best 24m f/1.4 stills lens currently in existence, the Sony FE 24mm f/1.4 GM is sharp throughout its aperture range, has minimal distortion, great looking bokeh, and weighs less than comparable lenses from other manufacturers.

Sony FE 50mm f/1.2 GM

Sony was late to the game with their first foray into the world of ultra-fast lenses but the Sony 50mm f/1.2 has knocked it out of the park and is quite a technical achievement due to its size compared to its competitors.

Sony FE 70-200mm f/2.8 GM

The FE 70-200mm f/2.8 GM OSS is the top of the range lens in its category for Sony cameras. It's consistently sharp across the frame, focuses close for a lens of this zoom range (0.96m), has very fast and quiet autofocus, and the stabilisation is effective at keeping images sharp at slower shutters.

Sony FE 70-200mm f/2.8 GM II

The Sony FE 70-200mm f/2.8 GM II has some modest improvements in the optical quality over its MK1 equivalent, but where it truly shines is in its weight, weighing in at only 1042 grams.

Sony FE 85mm f/1.4 GM

The Sony 85mm f/1.4 is a great portrait lens that pairs nicely with a Sony mirrorless camera. It has pleasing bokeh wide open and, having a maximum aperture of f/1.4, it is really useful in low light settings.

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Zeiss Compact Prime CP.2 Set (5)

Five lens Zeiss CP.2 lens set, consisting of 21mm T2.9, 28mm T2.1, 35mm T2.1, 50mm T2.1 and 85mm T2.1 lenses. Available in either PL or Canon EF mount.

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Zeiss Compact Prime CP.3 Set (7)

The CP.3s are the latest generation in the Compact Prime range from Zeiss. Compared to the previous CP.2s, they are smaller (95mm front), they have new coatings for better flare control and they offer richer blacks, higher contrast images and more saturated colours. Available in PL or EF mount.

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Zeiss MK2 Standard Speed Set (6)

Arri/Zeiss MK2 Standard Speed lenses have been the lenses of choice on many feature films, TVCs and other productions for four decades. 16mm, 24mm, 32mm, 50mm, 85mm and 100mm - all T2.1.

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