The smallest, lightest Alexa. Use it for handheld, gimbal and studio work with its flexible rigging options. Shoot HD, 2K, 3.2K and 4K UHD at up to 200 frames per second in high quality ProRes up to 4444XQ. 4:3 license included for anamorphic shooting.
The Arri Alexa Mini LF offers you the premium, large format look in a package very similar in size to the popular, super 35 sensor based Arri Alexa Mini. Super 35 modes mean the Mini LF can still be used in conjunction with lenses that do not cover large formats, giving you a choice of many lenses.
The Arri Amira has the same sensor and colour science as the Arri Alexa Mini, but in a body more suited to documentary / run and gun, or studio work. It has superior audio handling compared to the Alexa Mini, with XLR inputs and support for up to five channels of audio recorded with the image.
The Ursa Mini Pro has a 4.6K, 15 stop dynamic range sensor, PL or Canon EF mount, built-in ND filters and shoots up to 60fps (or 120fps in 2K windowed mode) in all popular flavours of Prores as well as CinemaDNG RAW. Our kit includes the shoulder mount kit, v-mount battery plate, and EVF.
The Canon EOS C200 offers a compact and lightweight body with the ability to create highly detailed 4K images. It can deliver Cinema RAW Light recording at 4K DCI 50P internally to CFast 2.0 cards, with up to 15 stops of dynamic range, and up to 120fps at 1920x1080 resolution without windowing.
Available in either Canon EF or Arri PL mount. The C300 mark II is a flexible, dependable workhorse camera suited to many types of production. It features increased dynamic range (a claimed 15 stops), up to 4K internal recording, 4K RAW output and a new 10-bit Canon Log gamma.
The C300 MK III is a run and gun Super 35mm powerhouse that features 4K recording in RAW or XF-AVC, Canon's dual pixel autofocus and a form factor that is easy to rig into either studio or handheld configurations.
The Canon EOS C500 Mark II is a large format, 5.9K sensor camera. It has an interchangeable lens mount so you can use either Canon EF or Arri PL mount lenses. This base kit is the simplest C500 II kit we offer and includes BPA batteries, media and quality Arri camera accessories.
Huge recording power in a small form factor body. The C70 can record 4K 10-bit footage with 16+ stops of dynamic range while only being marginally larger than a DSLR.
The Canon 5D mark IV has a newly designed full frame sensor giving a highly detailed 30.4 megapixel image. The new sensor also gives you 4K video up to 30fps and 1080p video up to 60fps. For those who prefer an optical viewfinder for stills photography, this camera continues to be popular.
The Canon 5DSR packs a 50.6 megapixel sensor into a familiar DSLR body. This means you get images with resolution rivalling some medium format systems, while still being able to use the huge range of EF mount lenses, an advanced autofocus system, and a familiar workflow.
Canon’s first full frame mirrorless camera is capable of shooting Canon Log in both 4K UHD (3840x2160) and full HD (1920x1080) internally. The new Canon RF lens mount is built around the 30.3MP full frame sensor (36x24mm), which can shoot up to 30fps in 4K and up to 60fps in full HD.
The Canon EOS R5 is a full-frame mirrorless digital camera that features a 45MP sensor, a native Canon RF lens mount, Dual Pixel Autofocus, and video recording up to 8K. This camera is a powerhouse for both stills and video work.
The Canon XF405 is a compact and easy to use 4K UHD camcorder with an integrated 15X optical zoom lens (25.5-382.5mm equivalent in 35mm terms) and a comparatively large 1-inch sensor. Records up to 100 frames per second in full HD mode.
The Sony A7 III is packed with features that will help you get the job done. It's considered by many to be the best general purpose, full frame mirrorless camera. It has a 24MP sensor, fast AF with eye/face detection over pretty much the entire frame, 10 fps stills, 4K HDR motion recording and more.
The Sony A7 IV is a hybrid mirrorless camera that features a newly designed 33MP sensor and a host of high quality 4K video recording codecs.
The latest in the video-focused A7S range, the MK III has improved dynamic range, faster sensor readout for reduced jello effect, in-camera 10-bit 4:2:2 recording, 4K up to 120fps, dual CFexpress type A slots, better battery life and more!
The Sony FX9 is a 4K acquisition (6K sensor), large format, dual-native ISO camera option with some great features that make it ideal for smaller crew and run-and-gun style productions. The electronic variable ND is an excellent addition , as is the hybrid autofocus with face tracking.