ARRI Alexa 35 Kit
The release of the ARRI Alexa 35 camera is an exciting step forward in digital camera image quality and throws open the door to new creative opportunities for filmmakers. It features a brand new sensor, offering an incredible dynamic range of 17 stops (2.5 more than previous generation ARRI cameras) and high sensitivity for low light levels with minimal noise.
New colour processing technology produces the most vibrant and true colours of any digital camera to date. All of this is packaged into ARRI’s first fully featured small form factor camera.
The super 35mm sensor is compatible with pretty much all cinema lenses, both spherical and anamorphic, and is great for using with some classic vintage lenses like the Cooke Speed Panchros or the Zeiss Standard Speeds.
The camera has a wide range of shooting modes, including some interesting new ones for ARRI - like a 2:1 ratio that has been gaining popularity lately (thanks largely to Netflix). There are also some new anamorphic modes that will record desqueezd footage directly in camera. Check out the different modes here.
Audio recording in-camera is easy with the included audio module that features two high quality preamps and phantom power for running mics directly into the camera. The Alexa 35 also features the same internal scratch microphones that were introduced in the Alexa Mini LF.
The accessory range for the camera is highly configurable, so you can build the camera to suit your preferred shooting style. Improvements in accessory mounting have also made it faster to change configurations, which is particularly useful when switching between handheld, studio and stabiliser setups.
SUP 1.1
Sean runs through the new features available in SUP 1.1 for ALEXA 35.
Guided Tour
Get to know the ARRI Alexa 35 with this guided tour video.
The Siren - Alexa 35 Encounters
The Siren - a short film from the Alexa 35 Encounters introductory series.
Sweetheart - Alexa 35 Encounters
Australia and NZ's contribution to the Alexa 35 Encounters series, directed by Leo Woodhead with Ari Wegner as cinematographer.
Nice - Alexa 35 Encoutners
Nice - a short film from the Alexa 35 Encounters introductory series.
The Painting - Alexa 35 Encounters
The Painting - a short film from the Alexa 35 Encounters introductory series.
The Swing - Alexa 35 Encounters
The Swing - a short film part of the Alexa 35 Encounters introductory series.
Keynote Presentation
ARRI introduces the world to the Alexa 35.
ARRI Reference Tool
The ARRI Reference Tool combines the previously separate ARRIRAW Converter, ARRI Color Tool, and ARRI Meta Extract tools. Here's an overview of its functionality.
Grading Workflow
Florian looks at some options for grading Alexa 35 footage - both ARRIRAW and ProRes.
HDE Workflow
How to use HDE encoding with ARRIRAW footage from the Alexa 35.
Operational Overview
Marc provides an overview of the design philosophy behind the Alexa 35 and explains how the Alexa 35 is the first fully featured, small form factor Alexa.
Tech Talk - Creative Options
Learn about features of the Alexa 35 designed to offer you a greater renge of creative options than previously available.
Image Quality - Tech Talk
Dive into what is behind the groundbreaking image quality of the Alexa 35.
Recording Formats
Marc runs through the numerous recording formats available in the Alexa 35, including some new in-camera desqueeze options for faster anamorphic acquisition.
Electronic Accessories
Sean covers options for powering and remotely controlling the Alexa 35, including the new 24V B-mount battery system.
LogC4 Overview
The Alexa 35 uses the new LogC4 tonal curve, which was developed in response to the increased dynamic range of the Alexa 35. Here's an overview.
Alexa 35 Colour
This video covers a range of topics related to the colour science of the Alexa 35, as well as the new look file format for log to log workflows.
Lens Mount
Included Mounts
LPL mount with LBUS connector PL-to-LPL adapter (included) EF Mount (optional)
Flange Focal Depth
LPL mount: 44 mm With PL-to-LPL adapter: 52 mm
Imaging Sensor
Sensor Type
Super 35 ARRI ALEV IV CMOS sensor with Bayer pattern colour filter array
Sensor Size
27.99 x 19.22mm. ⌀ 33.96 mm.
Maximum Resolution
4608 x 3164 pixels.
Sensor Frame Rates
0.75 - 120 fps
Photosite Pitch
6.075 μm
Exposure Latitude
17+ stops. EI 160 to EI 6400
Lens Squeeze Factors
1.00x, 1.25x, 1.30x, 1.33x, 1.50x, 1.65x, 1.80x, 1.85x, 2.00x
Filters
Fixed optical low pass, UV, IR filter Motorised ND - Clear, 0.6, 1.2, 1.8
Media & Recording Formats
Recording Media
Codex Compact Drives
Supported Formats
MXF/ARRIRAW MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 HQ
Colour Coding
Apple ProRes 422 HQ
12bit LogC4 YCbCr
Apple ProRes 4444
12bit LogC4 YCbCr
AppleProRes 4444 XQ
12bit LogC4 YCbCr
ARRIRAW
13bit Log
Recording Formats - ARRIRAW
4.6K 3:2 Open Gate
Clip resolution: 4608 x 3164px Active photosites: 4608 x 3164 px Image area: 27.99 x 19.22mm Image circle: ⌀33.96mm Max FPS: 75
4.6K 16:9
Clip resolution: 4608 x 2592px Active photosites: 4608 x 2592px Image area: 28.0 x 15.7mm Image circle: ⌀32.1mm Max FPS: 75
4K 16:9
Clip resolution: 4096 x 2304px Active photosites: 4096 x 2304px Image area: 24.9 x 14.0mm Image circle: ⌀28.57mm Max FPS: 120
4K 2:1
Clip resolution: 4096 x 2048px Active photosites: 4096 x 2048px Image area: 24.9 x 12.4mm Image circle: ⌀27.82mm Max FPS: 120
3.3K 6:5
Clip resolution: 3328 x 2790px Active photosites: 3328 x 2790px Image area: 20.22 x 16.95mm Image circle: ⌀26.38mm Max FPS: 100
3K 1:1
Clip resolution: 3072 x 3072px Active photosites: 3072 x 3072px Image area: 18.66 x 18.66mm Image circle: ⌀26.39mm Max FPS: 100
Recording Formats - Apple ProRes
4.6K 3:2 Open Gate - 4.6K
Clip resolution: 4608 x 3164px Active photosites: 4608 x 3164 px Image area: 27.99 x 19.22mm Image circle: ⌀33.96mm Max FPS: 60
4.6K 16:9 - 4K
Clip resolution: 4096 x 2304px Active photosites: 4608 x 2592 px Image area: 27.99 x 15.75mm Image circle: ⌀32.12mm Max FPS: 75
4K 16:9 - 4K
Clip resolution: 4096 x 2304px Active photosites: 4096 x 2304px Image area: 24.88 x 14.00mm Image circle: ⌀28.55mm Max FPS: 100
4K 16:9 - UHD
Clip resolution: 3840 x 2160px Active photosites: 4096 x 2304px Image area: 24.88 x 14.00mm Image circle: ⌀28.55mm Max FPS: 120
4K 16:9 - 2K
Clip resolution: 2048 x 1152px Active photosites: 4096 x 2304px Image area: 24.88 x 14.00mm Image circle: ⌀28.55mm Max FPS: 120
4K 16:9 - UHD
Clip resolution: 1920 x 1080px Active photosites: 4096 x 2304px Image area: 24.88 x 14.00mm Image circle: ⌀28.55mm Max FPS: 120
4K 2:1 - UHD
Clip resolution: 4096 x 2048px Active photosites: 4096 x 2048px Image area: 24.88 x 14.00mm Image circle: ⌀27.82mm Max FPS: 120
3.3K 6:5 - 3.3K
Clip resolution: 3328 x 2790px Active photosites: 3328 x 2790px Image area: 20.22 x 16.95mm Image circle: ⌀26.38mm Max FPS: 75
3.3K 6:5 - 4K 2.39:1 Ana 2x
Clip resolution: 4096 x 1716px Active photosites: 3328 x 2790px Image area: 20.22 x 16.95mm Image circle: ⌀26.38mm Max FPS: 75
3K 1:1 - 3K
Clip resolution: 3072 x 3072px Active photosites: 3072 x 3072px Image area: 18.66 x 18.66mm Image circle: ⌀26.39mm Max FPS: 90
3K 1:1 - 3.8K 2:1 Ana 2x
Clip resolution: 3840 x 1920px Active photosites: 3072 x 3072px Image area: 18.66 x 18.66mm Image circle: ⌀26.39mm Max FPS: 100
2.7K 8:8 - UHD 16:9 Ana 2x
Clip resolution: 3840 x 2160px Active photosites: 2743 x 3086px Image area: 16.6 x 18.75mm Image circle: ⌀25.08=mm Max FPS: 100
2k 16:9 S16 - 2K
Clip resolution: 2048 x 1152px Active photosites: 2048 x 1152px Image area: 12.44 x 7.00mm Image circle: ⌀14.27mm Max FPS: 120
Viewfinder
Type
Multi Viewfinder MVF-2 with 4" flip-out monitor
EVF Display Type
OLED
Flip-Out Monitor Display Type
LCD
EVF Resolution
1920 x 1080 pixels
Viewfinder Diopter
Adjustable from -5 to +5
Power
Input
20.5V - 33.6V DC via 8-pin LEMO B-Mount Battery Plate (24V)
Consumption
Approx 90W with EVF connected and recording ARRIRAW at 24fps
Aux Outputs - Camera
1x Fischer 3-pin 24V RS 1x LEMO 2-pin 12V 1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out 1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out
Aux Outputs - Power Distribution Module
4x Fischer 3-pin 24V 1x LEMO 2-pin 12V 1x Twist D-Tap 12V
Aux Outputs - Audio Extension Module
1x Fischer 3-pin 24V 1x LEMO 2-pin 12V
Audio
Recording Format
4 channel linear PCM, 24-bit 48 kHz
Built-In Mics
Two internal mics for scratch track recording, recorded to channels 3 & 4
Input - On Camera
1x LEMO 6-pin balanced stereo line in with 12V power output (Line input max. level +24dBu correlating to 0dBFS)
Output - On Camera
SDI (embedded) 3.5mm stereo headphone jack (on MVF-2 viewfinder)
Input - Audio Extension Module
2x TA-3 Balanced Mic/Line (+48V) 1x TA-3 AES Digital Input
Output - Audio Extension Module
3.5mm stereo headphone jack
Physical
Dimensions H x W x L
147 x 152 x 203 mm
Weight
TBD
Jamie Harris, Grace Harman
August 23, 2022
18 min read
Ben Bateman
May 25, 2022
4 min read
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