Prime Cinema Lenses

The Mercury series is a family of 1.5X, full frame anamorphic lenses with deliberate character. They improve the usability of anamorphic lenses on a range of cameras with their smaller size, reduced close focus, and large format coverage. This A set has 36mm, 42mm and 72mm focal lengths. PL mount.

32mm, 40mm, 50mm, 65mm, 80mm and 100mm PL mount. Atlas Orion anamorphic lenses offer you the classic sense of depth, ovoid bokeh, breathing and flare characteristics associated with front anamorphic group lenses - at a less intimidating price point.

40mm, 65mm and 100mm PL mount. Atlas Orion Anamorphic lenses offer you the classic sense of depth, ovoid bokeh, breathing and flare characteristics associated with front anamorphic group lenses - at a less intimidating price point.

32mm, 50mm and 80mm T2.0 2X anamorphic set. Atlas Orion anamorphic lenses offer you the classic sense of depth, ovoid bokeh, breathing and flare characteristics associated with front anamorphic group lenses - at a less intimidating price point.

14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.3, 85mm T1.3 and 135mm T2.2 EF mount. The CN-E cinema primes from Canon have a 43mm image circle, covering 35mm full frame sensors. The lenses are designed for 4K+ acquisition and are ideal for use on a wide range of digital cameras.

Canon FD lenses were produced from 1970 through to the late 1980s and are another popular vintage lens option. Our set has been rehoused by the highly regarded team at TLS in the UK and has PL mounts, consistent 110mm fronts and standard cine gearing for focus and iris. All lenses cover LF.

Cooke miniS4/i lenses give you the classic Cooke look in a smaller, lighter and more affordable package than the Cooke S4 T2 range. This is a six lens set consisting of 18mm, 25mm, 32mm, 50mm, 75mm and 100mm lenses.

18mm T2.2, 25mm T2.2, 32mm T2.3, 40mm T2.3, 50mm T2.3 and 75mm T2.3. The TLS rehousing of the vintage Cooke Speed Panchro lenses is widely considered the best available. The mechanics of this set look and feel very much like modern Cooke lenses, while the glass is original 1940s.

The Iron Glass MKII Soviet lenses bring the legendary look of vintage Soviet glass into the modern filmmaking era. Rehoused for consistent and reliable operation on set, these lenses retain the character of classic Soviet optics while enhancing usability. ARRI PL mount. Oval irises.

This 12mm offering from Laowa is a very wide rectilinear lens with full frame coverage and low distortion. While based on the stills version of the lens, the cine mechanics offer standard M0.8 geared iris and focus rings, and a 95mm front (with a 114mm step-up ring) for clamp-on matte boxes.

Probe lenses are typically used to get a perspective not often seen in still and motion photography. The long, narrow and waterproof lens barrel allows the lens to be moved inside and through a subject. An integrated LED array illuminates subject interiors that might otherwise be difficult to light.

Leica / Leitz Summicron-C lenses offer a distinctive character and T2 performance in a very compact size. They cover many modern formats larger than super 35mm and have minimal breathing and superior build quality.

The Leica-R cinemod lens set is a good option for full-frame vintage lenses, particularly if you are on a budget.

These TLS rehoused Mamiya Sekor C lenses offer you the look of renowned vintage Mamiya medium format stills lenses in high quality cine housings with ARRI LPL mounts.

Petzval lenses have a distinctive swirly bokeh (as seen in the likes of the 2023 feature Poor Things). The original Petzval design was developed in 1840 with portrait photography in mind, so the centre of the frame is sharp but rapidly falls out of focus towards the edge of the frame. PL mount.

The Sigma FF High Speed range of lenses offer full frame coverage with a 43.3mm image circle and fast T stops of T1.5 across most of the range. The fronts are a consistent diameter of 95mm. This set consists of ten lenses - 14, 20, 24, 28, 35, 40, 50, 85, 105 and 135mm. Arri PL mount.

The Sigma FF High Speed range of lenses offer full frame coverage with a 43.3mm image circle and fast T stops of T1.5 across most of the range (the 14mm is T2 in this set). The fronts are a consistent diameter of 95mm. This set consists of 14, 24, 35, 50, 85 and 105mm. ARRI PL mount.

The Sigma FF High Speed range of lenses offer full frame coverage with a 43.3mm image circle and fast T stops of T1.5 across most of the range. The fronts are a consistent diameter of 95mm. This set consists of 20, 28, 35, 50, 85 (all T1.5) and 135mm (T2.0). ARRI PL mount.

The Tribe7 Blackwing7 T-tuned lenses are large format cine lenses designed for filmmakers seeking a balance between modern optical performance and the artistic expression of vintage character. These lenses offer controlled aberrations, smooth focus falloff, subtle halation and moderate flare.

Five lens Zeiss CP.2 lens set, consisting of 21mm T2.9, 28mm T2.1, 35mm T2.1, 50mm T2.1 and 85mm T2.1 lenses. Available in either PL or Canon EF mount.

The CP.3s are the latest generation in the Compact Prime range from Zeiss. Compared to the previous CP.2s, they are smaller (95mm front), they have new coatings for better flare control and they offer richer blacks, higher contrast images and more saturated colours. Available in PL or EF mount.

ARRI/Zeiss MK2 Standard Speed lenses have been the lenses of choice on many feature films, TVCs and other productions for four decades. 16mm, 24mm, 32mm, 50mm, 85mm and 100mm - all T2.1.