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Extend the focal length of your Canon telephoto lenses by 40% with the Canon 1.4x EF II teleconverter while losing only one stop in lens speed.
For extreme wide angle shooting on both full frame and crop sensor cameras. On full frame cameras, this lens produces both circular and full frame images. On crop sensor cameras, you get only full frame images.
The EF-S 10-22mm f/3.5-4.5 USM is the widest non-fisheye zoom Canon makes for crop sensor cameras. The field of view is equivalent to Canon's 16-35mm, designed for full frame cameras.
The Canon EF 14mm f/2.8L II USM is the widest angle, non-fisheye lens available from Canon with a very impressive 114° diagonal field of view.
If you need a curvilinear lens with a 180º angle of view, the Canon EF 15mm f/2.8 Fisheye is your lens.
The EF 16-35mm f/2.8L III USM lens is widely considered to be the best ultra-wide angle zoom lens Canon has ever made. The mark III version significantly improves corner to corner sharpness over the previous version.
Go ultra-wide with Canon's 16-35mm f/2.8L II USM. Improved edge to edge sharpness over the previous model and the build quality you expect from L series lenses.
The TS-E 17mm f/4L is the widest tilt-shift lens available from Canon, offering a diagonal angle of view of 104° on a full-frame SLR camera.
The Canon EF 24mm f/1.4L II USM is a very fast wide angle lens and is perfect for low light conditions. The large aperture encourages creative use of depth of field in wide angle shots.
Canon's TS-E 24mm f/3.5L II is a popular choice for traditional applications requiring perspective correction - such as architectural photography - and for creating those fashionable miniature scenes.
Canon has redesigned its popular workhorse zoom to produce the 24-70mm mark II. The result is improved corner to corner sharpness, reduced colour fringing and a 9 blade aperture for better looking background detail.
The Canon 24-105mm f/4L IS USM provides a flexible zoom range and is often considered a lighter weight alternative to the EF 24-70mm f/2.8L in situations where the slower aperture doesn't matter.
The Canon EF 35mm f/1.4 L USM is another of Canon's heralded available light lenses. A fantastic standard lens for cropped view cameras, and a superior fast wide angle lens for full frame Canon cameras.
The Canon 50mm f/1.2L is a very impressive super-fast, standard perspective lens on full frame cameras and an ideal portrait lens on APS-C sensor format cameras.
The mark II version of Canon's renowned, highly flexible workhorse 70-200mm f/2.8 IS USM. This mark II version offers improved optics, reliability and robustness.
Canon's latest professional portrait lens. The 85mm f/1.4L offers superb optical performance and has image stabilisation to make it more versatile in situations where a tripod or other camera support cannot be used. Autofocus speed is much faster than with the 85mm f/1.2L II.
With the largest aperture available from Canon, the EF 85mm f/1.2L II USM is the superior lens for portraiture and low-light photography. This second generation model features improved autofocus speed and flash metering compatibility.
The 90mm TS-E f/2.8 is the most telephoto tilt and shift lens in Canon's range and offers you a wide variety of creative possibilities through depth of field manipulation.
The Canon EF 100mm f/2.8L Macro IS USM lens is optically the best macro lens made by Canon. Whether you're shooting stills or video, this lens is a great choice for close working distances and life size reproduction.
Canon's 100-400mm variable maximum aperture zoom is a flexible performer and offers that extra reach without the bulk and expense of the long, fast primes.
A very high quality prime lens, the Canon EF 135mm f/2L USM is well suited to portaiture, candid street photography, and sports where you can get closer to the action.
This three lens Canon prime kit consists of the popular Canon 35mm f/1.4, 50mm f/1.2 and 85mm f/1.2 L series lenses. Save 10% on the cost of hiring them individually with this kit.
This four lens Canon prime kit consists of the popular Canon 24mm f/1.4, 35mm f/1.4, 50mm f/1.2 and 85mm f/1.2 L series lenses. Save 10% on the cost of hiring them individually with this kit.
This five lens Canon prime kit consists of the popular Canon 14mm f/2.8, 24mm f/1.4, 35mm f/1.4, 50mm f/1.2 and 85mm f/1.2 L series lenses. Save 15% on the cost of hiring them individually with this kit.
Part of the RF holy trinity lineup, the Canon RF 15-35mm f/2.8L is a fast wide angle zoom offering excellent corner to corner sharpness and smooth, quiet autofocus - making it ideal for both stills and motion photography.
The Canon RF 24-105mm is a versatile zoom lens for the EOS R mirrorless cameras. The 5 stop image stabilisation helps keep your images sharp when using slower shutter speeds.
The Canon RF 28-70mm f/2 is one of the most versatile lenses available today due to its excellent zoom range and large maximum aperture. With this lens you don’t have to choose between the fast speed of a prime lens or the versatility of a zoom lens - you can have both.
The 70-200 is a staple in the photography and video industry and Canon has always been at the top of the game. The RF 70-200 f/2.8L pushes new boundaries in the mirrorless era as it is the smallest, lightest and closest focusing 70-200 f/2.8 lens from any manufacturer.
A very fast, wide angle lens for the Fuji X system. The XF 16mm F1.4R WR has a close focus of just 15cm, making it ideal for working with subjects at short distances from the lens. A very fast autofocus time (as low as 0.11 seconds) means you'll miss fewer shots.
A premium wide angle lens for the Fuji X system with a very fast maximum aperture of f/1.4.
One of the most coveted lenses in the world, the Leica Summilux-M 35mm f/1.4 ASPH offers superior optics in a compact lens.
An extreme wide angle zoom lens for Canon mount crop sensor cameras, the Sigma 8-16mm zoom lens is ideal for cameras like the Blackmagic Design Cinema Camera, where you need to overcome the crop factor of the sensor.
The FE 16-35mm f/2.8 GM is the top of the line, full frame wide angle zoom lens from Sony. It offers excellent corner to corner sharpness, negligible chromatic aberration and the nano lens coating minimises flare and ghosting.
This is the professional grade standard zoom from Sony for E mount cameras. It has corner to corner sharpness at least as good as offerings from Canon and Nikon, and excellent flare control to preserve colour and contrast when shooting around bright light sources.
A strong contender for the best 24m f/1.4 stills lens in existence, the Sony FE 24mm f/1.4 GM is sharp throughout its aperture range, has minimal distortion, great looking bokeh, and weighs less than comparable lenses from other manufacturers.
The FE 70-200mm f/2.8 GM OSS is the top of the range lens in its category for Sony cameras. It's consistently sharp across the frame, focuses close for a lens of this zoom range (0.96m), has very fast and quiet autofocus, and the stabilisation is effective at keeping images sharp when using slower shutter speeds.
The Zeiss Distagon T* 21mm f/2.8 ZF.2 is one of the finest wide angle lenses available for Nikon (and Canon, with an adapter) 35mm cameras, with exceptional image and build quality.
The Zeiss Planar 50mm f/1.4 ZF.2 offers superb colour rendition and image quality. It has a large rotation focus ring for more precise manual focusing, making it well suited for both still and cine use.